Quite why a viewer would feel more invested to know the turmoils Claire — who, political correctness be damned, is essentially the warden of a jail cell — goes through, without even the slightest acknowledgement of the racist rhetoric interlaced within several tiers of Australia’s administration, is beyond comprehension. All rights reserved. That story was published on January 31, 2005, in The Age and The Sydney Morning Herald. Inspired by true events; a woman escaping a cult, a refugee fleeing with his family, a father trapped in a dead-end job, and a bureaucrat on the verge of a national scandal find their lives intertwined in an immigration detention centre. Your driving licence could be suspended, More than 80% of Europe's natural habitats in poor shape: report, IPL betting gangs make a killing from super overs on Sunday, We didn’t see the spark in our youngsters to push them in, says Dhoni, Crossword blog #159 | Where is the wolf? While on holidays that January, I received phone calls from refugee advocates alerting me to Rau’s deteriorating state. That it did most powerfully and emotionally through the side stories and dilemmas of its detention centre staff, refugee and bureaucrat characters. The Hindu has always stood for journalism that is in the public interest. UNHCR launched on 4 November a global campaign to eradicate statelessness in the next 10 years. Based on the books by Ahmed Khaled Tawfik. Concerns about a disturbed woman in South Australia’s Baxter detention centre were first mentioned to me by a psychiatrist, Dr Louise Newman, from the Alliance of Health Professionals for Asylum Seekers. 1. Netflix. An interview with UNHCR Emmanuelle Mitte: Statelessness in West Africa: http://kora.unhcr.org/statelessness-west-africa/ Stateless (TV Series 2020– ) cast and crew credits, including actors, actresses, directors, writers and more. They had found out she was being held in isolation and that she had by then been in Baxter for nearly two months. More than 30 journalists convened in Saly, Senegal, to discuss the causes and consequences of statelessness, as well as the role they can play in eradicating this serious human rights problem. Having a nationality is “the right to have rights” explains Emmanuelle Mitte who led the training and is UNHCR’s regional expert on statelessness. The role of journalists in raising awareness and informing public opinion was also discussed at length. In reality, it was reporting of the international search to discover the identity of a mystery woman in immigration detention that allowed the Rau family to find their missing daughter and sister. © 2020 Guardian News & Media Limited or its affiliated companies. Stateless puts Australia’s controversial immigrant policies and its detention centres at the front and centre of its core plot (which is inspired from a true story), but the show remains content dovetailing the refugee point-of-view into storytelling perspectives dominated by its three white protagonists. The journalists, who hailed from Benin, Burkina Faso, Côte d’Ivoire, Ghana, Guinea-Bissau, Mali, Niger, Nigeria Senegal and Togo, also had the opportunity to discuss the causes and consequences of statelessness, in West Africa in general and more specifically in their respective countries. This isn’t necessarily a harsh critique of Netflix’s recent offering, an Australian drama series created and produced by Cate Blanchett. Four female journalists follow a parade of flawed presidential candidates in this drama series inspired by Amy Chozick's book "Chasing Hillary.". She has been through personal and professional upheavals, and sees Barton as a chance to put things right although her decisions seem to light more fuses than before. Read about our editorial guiding principles and the standards ABC journalists and content makers follow. The journalists pledged to join forces at the end of the training to combat statelessness in their respective countries and drafted a charter which laid out their commitments to sensitize the public on this underreported topic and to put pressure on their Governments to ratify the two international conventions on the prevention and reduction of statelessness. After last season’s deep dive into Jeff Bezos and Amazon, they turn to the streaming supremo Netflix, looking at how the platform took off and its intensive workplace culture.Weekly, Vox Media, Photographer Lou Mensah hosts this podcast on the intersection of anti-racism and creativity.
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