A giant clue that adds weight towards this happens when Kay and Edna hear something is in the walls and look up at a giant mold stain which I believe highlights what is really going on. Was she kidnapped? As mentioned earlier this is showcased by Sam who finds an almost maze like structure within the walls and she becomes lost. The Ending Of Relic Reveals A Monster We’d Rather Not Think About. Kay clearly didn’t care about the character that much and even though she was her mother she was happy to leave her.
WARNING! After all, she’s the only family they have. (On that note, thank you, Hereditary, for the visual of Toni Colette crawling on the ceiling that continues to haunt my middle-of-the-night awakenings.). “There’s nothing evil in the film, really,” James added.
The new horror movie Relic reminds us that we all become ghosts in the end Emily Mortimer and Bella Heathcote star in a new take on the haunted-house story By Jesse Hassenger Jul 10, 2020, 10:51am EDT
As the action unfolds, we realize that, on some level at least, she’s right. The Ending Of Relic Reveals A Monster We’d Rather Not Think About Anne Cohen 7/10/2020 A Taco Bell employee saved a man's life after he passed out in the drive-thru "That last beat," Mortimer said, "when you see it on me you realize, 'Yeah, this isn't just a freak occurrence; this is all of our ends.'". Now the movie kinda takes a big turn when Kay sees Edna stabbing herself in the chest in the bath. Personally I lean more towards the latter especially due to my experience with people that have dementia and though often at times it can feel like you’re dealing with a completely different person to the one that you knew, this other form is not something to be hated and to run from. In Japan you wash your deceased loved one’s body before the funeral. Relic ratchets up its slowly building tension in an expertly crafted atmosphere of dread, adding up to an outstanding feature debut for director/co-writer Natalie Erika James. Has she wandered into the woods behind the property? We see that it very much in a state of disrepair and symbolically this also speaks to Edna’s mental state which we learn has started to deteriorate. When asked where she was, she’s evasive, claiming she was in the house the whole time. It's almost like it might not happen if you go to the shrink and do your exercises or your yoga and you take your pill and drink your wheatgrass. Now in order to talk about Edna and my take on the ending, I have to talk about the house itself and what it represents. Black Mold is extremely toxic and over time it can cause infect your brain neurons and cause a wealth of changes. A daughter, mother and grandmother are haunted by a manifestation of dementia that consumes their family's home. I think in the final shot she sort of realises what is going to happen to her mother and decides to stay with her. Exploring the first option the movie does take a supernatural turn and it has Kay fear for her life as she’s chased by this monster. In [Emily’s] performance, that’s how we approached it. The great power of Relic, Natalie Erika James’ terrifying directorial debut, is how deftly it straddles the blurry line between reality and the supernatural. "Relic" is an extremely strong debut from this very talented filmmaker.
The film is a combination of these childhood fears that resurface [when you visit a place], and the feelings surrounding my grandmother’s state.”.
Though the movie apes hereditary in many ways, I found that film had a far more bleak ending than Relic which, depending on your interpretation is about acceptance and love.
He sadly died of what appeared to be dementia after being abandoned by his family and I think this very much influences the end and the choice that Kay and Sam make. Emily Mortimer explains the 'extraordinary and bizarre' ending of 'Relic'. Microsoft may earn an Affiliate Commission if you purchase something through recommended links in this article. That creak you hear in the silence of night is scary because your mind makes it so — who cares if you actually believe in the ghosts you’re suddenly vividly picturing lurking around the corner. "I would really recoil at the idea that people would read it as her simply being evil or something like that. She tells her mother that she’d be more than happy to move in and take care of Edna. “My grandmother had Alzheimer’s,” she told Refinery29 in a phone interview ahead of Relic’s July 10 VOD release. It was like nothing I'd ever imagined before — but was also really familiar and shocking and beautiful. I had a lot of guilt about not going to see her more regularly. It's like they're being taken over by something. Kay, worried such an incident may reoccur, goes to visit elderly care facilities in Melbourne, a decision that Sam finds outrageous.
The answer, according to James, is a little of both. Eventually, Sam joins them, and the three generations of women curl up against one another, ready to face whatever comes next. Our Western culture has been a bit scared to confront that. I don’t think it quite matches the stature of films like the Babadook and Hereditary but as far as Horrors go I think this is better than most released this year and it will stay with you long after you watch it.
At one point Edna tries to eat photographs and bury the albums in order to stop the house from eating the memories which I think represents living in the property, amongst the mold has caused her memory to deteriorate rapidly.
Though Kay assumes her daughter has fled her responsibilities yet again, we know better. But when Kay returns, Sam is missing. ", In the final scene, the mold — which is representative of Edna's deterioration as well as the threat of abandonment itself — spreads beyond the matriarch, who has shriveled up under the weight of it, to her daughter, Kay, in a scene that is equal parts terrifying and emotional.
The last 10 pages or so of the script was so extraordinary and bizarre and resonated really strongly. Trying to navigate it eventually leads to you trying to navigate through a labyrinth in which it decays your mind and mental state.
I think the film really captured that in an incredibly lyrical way, as well as being terrifying and almost hilariously scary at times. Eventually Edna turns on her daughter, and she too finds herself in the bowels of the house. The movie opens with Kay and Sam arriving at Edna’s house after neighbors have noticed that she hasn’t been on the property for a long time. But she also lives in this really creepy traditional Japanese house that’s 150 years old. Gone into town? They are Edna an elderly widow in her winter years, Kay her daughter and Kay’s daughter Sam.
Instead though, I take the ending as somewhat of a metaphor on family duty that is disguised as something evil. Instead, it uses horror as a way to examine the very real fear of watching our parents grow older and more frail, all while knowing that we ourselves will go through the same thing.
Death is unavoidable in horror, but this film is rare in its decision to consider death not only through the lens of fear but with acceptance. Now what did I think of the movie as a whole, well though this is going to be a slow burn for a lot of people, I think that in the end the overall film and meaning behind it are worth the wait. I think that scene kind of is the movie, in a way, or [at least] the perfect culmination of the movie. “I started writing it on a trip to go visit her in Japan. She has accepted her responsibilities and though I believe that the mold made her and Sam manifest visions of something otherworldly the simple truth of the ending is that Kay and Sam will not abandon Edna. Kay makes up excuses such as having work but deep down I think she knows she has neglected her mother.
After an hourslong struggle to disentangle themselves from a labyrinthine house engulfed in sinister black mold, Kay (Emily Mortimer) and Sam (Bella Heathcote) choose to return to the bedside of Edna (Robyn Nevin), whose encroaching Alzheimer's has swallowed not just her mind but her body. With Emily Mortimer, Robyn Nevin, Bella Heathcote, Steve Rodgers.
Or are those eerie layers a manifestation of Edna’s dementia, which causes the mind to retreat and reform in increasingly disorienting ways? It doesn’t matter if the terrifying twists we’re witnessing on screen are the byproduct of a truly haunted house, or the protagonist’s worsening dementia. Show full articles without "Continue Reading" button for {0} hours. Now as we said there are really two ways you can take this, either the demon on the property has claimed another victim of the family and it will repeat this process with Kay and likely Sam.
However, Kay hears her mother calling her name and she recalls how her great grandfather was abandoned too and instead of leaving Edna, decides to return to her. And that's incredibly relevant right now. "For me, it's a very hopeful ending and optimistic in some sense," said the director, who co-wrote the script with Christian White. Kay has dreams of an old man in the previous versions of the house and we learn that this was actually her great grandfather.
I think the moment where I decide to go back into the house and I can't leave, that felt really recognizable of [the feeling] when everything in you wants to run away but you can't. It was like a baby or something, but a baby with this old face. The demonic figure returns and Edna beats it with a pipe and Kay and Sam make their escape. The Times caught up with the actress before the film's release on video on demand and in select theaters to talk us through that "extraordinary and bizarre" ending. However, this ending shows me through Edna calling her name that she realises their family have all shared a similar fate in which they were abandoned and it’s likely one that Kay herself will fall victim too if she allows herself and Sam to run away. Now playing this weekend at select drive-in theaters, and expanding … She tells Sam to save herself, choosing to stay with her mother and care for her.
That's more scary than anything you could see in a movie. Throughout the last few years Kay has watched her mother’s mental state deteriorate and she has tried to flee from it.
Kay and Sam find each other in one of the passageways and force their way out with Edna hot on their heels.
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