Fairytales and parables. [41] Rolling Stone noted the album's vibe resembling "Safe & Sound", Swift's single for the Hunger Games film soundtrack (2012). Antonoff compared the writing process of "Mirrorball" and "August" to that of "Out of the Woods" from 1989; he sent tracks to Swift, who returned them with completed lyrics. I created character arcs and recurring themes that map out who is singing about who... For example, there's a collection of three songs I refer to as the Teenage Love Triangle. Sad, beautiful, tragic. 1 Among Women in Billboard 200's History", "Taylor Swift Charts 16 Songs From 'Folklore' on Billboard Hot 100", "TAYLOR SWIFT'S 'FOLKLORE' DEBUTS AT NO. [133], After three weeks of availability, Folklore exceeded one million units in the US, becoming the fastest album of 2020 to hit the mark.
[35] Many critics noted a "subdued" texture to the production, making space for Swift's voice and songwriting to glow. [46] It metaphorizes Swift's dispute with Scott Borchetta, the founder of her former label, Big Machine Records. Faced with some unexpected free time due to a lockdown inspired by a global pandemic, Taylor Swift turned inward.
[113], The Guardian named it one of the best albums made during the lockdown,[118] and Paste ranked it the best album of July 2020. Swift’s longest lyrical obsession is the loss of innocence, a theme she makes fairly devastating here. [131] In its second and third consecutive weeks at number one, the album sold 135,000 and 136,000 units respectively, making Swift the first woman since Barbra Streisand to have six albums spend multiple weeks at number one,[132] and Folklore the longest-running number-one album by a solo female artist on the chart since Swift's Reputation. [4] The Wall Street Journal stated the surprise announcement "caught fans and the music business off guard". [52], "The Last Great American Dynasty" is an alternative indie pop tune with classical instruments like slide guitar, viola, violins, drums and glitchy production elements.
[46] Her vocals are notably "reverent" and "angelic" in the song, supported by glacial piano,[76] howling brass[64] and orchestrals. [33] The escapist song sees her hinting at her friend's queerness and urges them to run away with her to India.
Dessner's presence is a signal that folklore represents a shift for Taylor Swift, moving her away from the glittering pop mainstream and into gloomier territory. [19] "Betty" is the only song on the album worked on by both Dessner and Antonoff; Swift used Bob Dylan's album The Freewheelin' Bob Dylan (1963) as a reference point,[20] while also drawing from Dylan's later album John Wesley Harding (1967).
[35] Commenting on the maturity of the album's lyrical execution, NPR's Ann Powers compared the album to releases by other artists when they were thirty years old, such as: The Rolling Stones' Exile on Main St. (1972), Joni Mitchell's Court and Spark (1974), Stevie Wonder's Songs in the Key of Life (1976), Elliott Smith's Either/Or (1997), and PJ Harvey's Stories from the City, Stories from the Sea (2000).
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