Juliet. ROMEO A most courteous exposition. Speak in iambic pentameter. II,2,885 'Tis but thy name that is my enemy; Thou art thyself, though not a Montague.... 20. The speech begins as a flight of fancy, but Mercutio becomes almost entranced by it, and a bitter, fervent strain creeps in. What's Montague? II,2,900. MERCUTIO Sure wit, follow me this jest now till thou hast worn out thy pump, that when the single sole 65 of it is worn, the jest may remain, after the wearing, Romeo steps in to stop the speech and calm Mercutio down. Deny thy father and refuse thy name; Or, if thou wilt not, be but sworn my love, And I'll no longer be a Capulet. [Aside] Shall I hear more, or shall I speak at this? Read it aloud and upload the video to Twitter, Facebook, Instagram, or other social media, tagging @FolgerLibrary and using the hashtag #ShareYourShakespeare.. II,2,907. 21. wherefore art thou Romeo? 'Tis but thy name that is my enemy; Thou art thyself, though not a Montague. After Juliet leaves, Romeo asks the Nurse her name, and is shocked to learn that his new object of desire is a Capulet. ROMEO Why, then is my pump well flowered. My ears have not yet drunk a … JULIET Romeo and Juliet who both speak in a shared sonnet, they do this because it shows that they are both flirting with each other; ROMEO “…My lips, two blushing pilgrims, ready stand. Why? To smooth that rough touch with a tender kiss”. MERCUTIO Thou hast most kindly hit it. Select a favorite passage from Shakespeare's plays or sonnets, or try one that's new to you. wherefore art thou Romeo? They speak together in a sonnet, and Romeo eventually earns Juliet's permission for a kiss. However, before they can talk further, the Nurse calls Juliet to see her mother. Shakespeare frequently used iambic pentameter to write dialogue for the more important characters in his plays. Try out these options: Juliet. for thou art As glorious to this night, being o'er my head As is a winged messenger of heaven Unto the white-upturned wondering eyes Of mortals that fall back to gaze on him When he bestrides the lazy-pacing clouds And sails upon the bosom of the air. To speak in iambic pentameter, use ten syllable lines broken up into five “foots.” In a foot, the first syllable is not stressed, and the second is stressed. MERCUTIO Nay, I am the very pink of courtesy. It is also spoken more to himself rather than to the audience. The people who speak in verse are Tybalt (once, Act1 Scene5 Line 88-91) and both Romeo and Juliet. O Romeo, Romeo! ROMEO 60 “Pink” for flower. ROMEO She speaks: O, speak again, bright angel! JULIET Ay me! Read a Passage. Speak the Speech is a non-profit audio theatre company dedicated to providing freely available Shakespearean audio performances online, for the benefit of educators, students, theatre people, the disabled, those in rural areas or overseas, or to put it simply: Everyone! Romeo. JULIET O Romeo, Romeo! What man art thou that thus bescreen'd in night So stumblest on my counsel? Romeo takes the lead with the first quatrain, Juliet the second, they share the third (Romeo taking three lines and Juliet one) and the final couplet is split evenly between the two. ROMEO AND JULIET – Choral Speaking Lesson Overview: Students will analyse a text and work collaboratively to create tableaux images and dramatic choral speaking works to enhance their understanding of a segment of Shakespeare’s play. Mercutio admits that he has been talking of nothing, noting that dreams are but “the children of an idle brain” (1.4.97). Deny thy father and refuse thy name;... 19. MERCUTIO Right. 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