. Looming in perspective, a little-girl silhouette becomes a young woman, in the flesh. Did Selznick’s car run over Crowther’s dog? Obsessive producer David O. Selznick fussed over this metaphysical celebration of wife Jennifer Jones for years before finally releasing it in 1948 to dismal boxoffice returns. Supplements: Audio commentary by Troy Howarth, Reversible Blu-ray Art, Selznick trailer gallery Soon after the elderly art dealer Miss Spinney (Ethel Barrymore) buys one of Eben’s uninspired drawings, real inspiration arrives. When in doubt, Selznick’s fallback position was to add another classical quotation or ponderous voiceover. Eben sketches her from memory and makes a substantial sale; and when he bumps into Jennie only a few days later, she appears to be several years older. He had optioned the Robert Nathan story at least as early as 1944. Appearing and disappearing mysteriously, Jennie returns repeatedly over the months, each time maturing by leaps, fulfilling a promise that the ten-year-old had made to Eben, that she would “hurry and grow up so they can be together always.” Suspecting that he’s crazy and that Jennie is a phantom, Eben confides only in Miss Spinney. The climax was rewritten to accommodate a monstrous tidal wave. Jennie is a superior romantic old-school ghost fantasy reflecting the posh taste of producer Selznick, who seems infatuated with visual themes of innocent romance taken from silent cinema. She all but hands Cotten a celestial roadmap with a red “X” for the Land’s End light. Is the schoolgirl on the left indeed Nancy Davis pretending to be ten years younger? The deliberate blurring of fantasy and reality makes it a bona fide surrealist picture, even if the overly literal dialogue sometimes breaks the spell. Her coquettishness and immaturity are engaging, while her adult incarnation embodies romance like a goddess fallen to Earth. His memos throw acid in all directions, blaming his inefficient production company, the lack of a General Manager to take the load off his shoulders, etc. Despite all the spooky trappings, it all seems too literal to be a dream. Trailers From Hell. Audiences may have been more impressed by the film’s expanded soundscape — other records state that the movie had an experimental three channel stereophonic soundtrack. Portrait of Jennie The Selznick Releasing Organization showed little faith in it after the 1971 network re-premiere; I do know a friend that saw it that year at a Selznick revival at the County Museum of Art, who reports that he was blown away by the experience. He had optioned the Robert Nathan story at least as early as 1944. Portrait of Jennie is a 1948 fantasy film based on the 1940 novella by Robert Nathan.The film was directed by William Dieterle and produced by David O. Selznick.It stars Jennifer Jones and Joseph Cotten.At the 21st Academy Awards, it won an Oscar for Best Special Effects (Paul Eagler, Joseph McMillan Johnson, Russell Shearman and Clarence Slifer; Special Audible Effects: Charles L. Freeman … The final meeting between Eben and Jennie on a rocky headland in a storm is pretty mad. Director Dieterle applies special attention to the expression of Eben Adams’ moods, whether he’s enthused or wallowing in a creative funk. Portrait of Jennie. Likewise, everyone who describes Jennie immediately refers to her ghostlike quality, as if they were reading heavenly publicity handouts. As Eben paints Jennie’s portrait, subtle optical tricks further idealize the actress. Once upon a time David O. Selznick’s Portrait of Jennie was an obscurity — I was blown away by just a few minutes of it back in 1971 when it came to network TV in a special series of ‘rescued’ Selznick pictures. He did compose his own, additional ‘Jennie’ theme, which works very well in context. From right to left, they are said to be Anne Francis (who would have been 16 or 17 in 1947), Nancy Olson (who would have been 18 or 19) and Nancy Reagan nee Davis, who at the time of filming would be at the youngest 25 or 26 years of age. Production Designers: J. MacMillan Johnson, Joseph B. Platt . Review by C.J. Actually, David O.’s Technicolor portrait is an inspirational payoff that’s always a hit in screenings. Tiomkin likely handed the details to his own orchestrating and arranging team. Más información sobre la película: http://decine21.com/peliculas/Jennie-7111 This is the closest that ’40s Hollywood came to the delirious surrealism of Henry Hathaway’s Peter Ibbetson, a flavor of fantasy not in keeping with the national mood. Unusual fantasy of a disillusioned painter and the strange girl who becomes his inspiration. Starring: Jennifer Jones, Joseph Cotten, Ethel Barrymore, Lillian Gish, Cecil Kellaway, David Wayne, Albert Sharpe. Portrait Of Jennie (1948) is a better film than the more famous ghost film of the era The Uninvited (1944), and its romanticism strikes much deeper. And what was that amazing music in the show? Awards & Events. “A FILM TO REMEMBER” series is of films who’ve reached a milestone anniversary since their origin of release. Yet we’re continually assured that Time does not matter, only Love. Lillian Gish has little to do but spout quasi-reverent lines, more than the story needs. As if fearing that viewers wouldn’t follow the story, every plot point is made literal and obvious. The green storm scene is mostly okay, which makes sense if much of it was new photography added after the 1948 charity premiere. Cinematography Joseph H. August Production Designers J. MacMillan Johnson and Joseph B. Platt Original Music Bernard Herrmann, Dimitri Tiomkin from themes by Claude Debussy One of the most unusual romances ever filmed, Portrait of Jennie is the picture of sumptuousperfection. ‘That obscure object of desire?’. I also recommend the discussion of Portrait of Jennie at John Grant’s Wonders in the Dark page. As in Somewhere in Time, the fatalistic notion is indulged that an ideal life companion-lover waits somewhere out there for each of us, and that only the fortunate find their ideal mate in their own place and time. Add it to your Watchlist to be notified when it becomes available. Some accounts make it sound as if a zoom projection lens was used. A FILM BY: William Dieterle . Thus he lives in a New York of his own creation, a (literally) canvas-textured world. Backed by a music score adapted from Debussy, just one breathy “Oh Eben . Across a reel change, a projector with a wider throw magnified the picture, so when the green lightning bolt hit, viewers were suddenly confronted with a much larger picture. Most of the special exhibition ballyhoo gimmicks that he’d later invent for his horror films are much more practical. (5547jenn), Visit CineSavant’s Main Column Page Portrait of Jennie was highly unusual for its time in that it had no opening credits as such, except for the Selznick Studio logo. William Dieterle’s approach is unlike the Hollywood fantasies current at the time, which tended to be semi-comic films blanc like Here Comes Mr. Jordan or Heaven Can Wait. The menu offers a separate audio option, with the storm sequence in surround sound. The fusion of spectral visuals and the adapted Debussy music establish Jennie Appleton as a creature out of time. Portrait of Jennie is a Hollywood movie released on 22 Apr 1949 in English language. Reality and fantasy are no more distinguishable than Jennie’s various impossible ‘editions.’ In one inspired bit of visual manipulation, Jennie ‘grows’ without a cut, simply by skating forward from a backlit vanishing point. Produced by David O. Selznick The show strikes an immediate chord with viewers that romanticize the precious things in life. Selznick hired Bernard Herrmann to score the film but their collaboration didn’t last very long: by this time Selznick expected his artistic hires to place his visions and ideas before their own. His creative team invests the B&W show with a terrific look; it might not work at all in color. New York males in 1949’s movies weren’t falling in love with the ghosts of old women, they were pushing them down staircases. Since the ephemeral Jennie is the subjective romantic imagination of charcoal & oils artist Eben Adams, the excessive pictorial emphasis given her seems entirely correct. Portrait of Jennie . A mysterious girl inspires a struggling artist. Glenn Erickson answers most reader mail: cinesavant@gmail.com. Portrait of Jennie Anchor Bay 1948 / B&W, tinted, brief color scene / 1:37 Academy / Street Date Nov. 28, 2000 Starring Jennifer Jones, Joseph Cotten, Ethel Barrymore, Lillian Gish, Cecil Kellaway, David Wayne, Albert Sharpe. There are supernatural romances and then there’s PORTRAIT OF JENNIE —an unassailable work of visionary delirium and towering claptrap that is easily the strangest … All the other credits appear at the end. All trailers appearing on TrailersFromHell.com are the property of their respective owners. The radiantly beautiful Jones and the melancholy Cotten make a sublimely attractive couple, and the intense romanticism survives all the meandering detours of the plot. The very last scene shows the portrait, classified a masterpeiece, hanging in a museum. Other sidebar scenes are less appealing. Portrait of Jennie had a hellacious production and distribution history, most of which can be blamed directly on the over-controlling, egotistical Selznick. These appear to be last-minute looped additions. crashes down to vanquish his fantasy forever. Packaging: Keep case . When the mood calls for mystery, Central Park resembles a Mario Bava forest from Black Sunday. If you don’t have the earlier DVD the new Blu-ray will still be the best way to see the picture: what’s there is given a good encoding. The movie has its excesses, but it is all of a piece. . In 1950 he reissued it as Tidal Wave, to no great acclaim. One of the most unusual romances ever filmed, Portrait of Jennie is a picture of sumptuous perfection. At the finale the track expends a good five minutes describing Magnascope in vague terms. On another occasion a seedy artist’s garret becomes a sacred, glowing place. The only tangible evidence of Jennie’s existence is a scarf, which is treated as far too special an object by all that come in contact with it. Anne Francis is a dead ringer for herself, nobody doubts that. Don’t be thrown when ‘Jennie’s Song’ doesn’t match her lips. You know, in case he has trouble securing a boat. He’s a writer and a film editor experienced in features, TV commercials, Cannon movie trailers, special montages and disc docus. . Either way, we have provide simple details guide on how to add or use this subtitle file(s) on your Media Player with the movie - Portrait of Jennie (1948). This is what Kino was given to work with, so there’s no point in getting on their case. Most are easily pinned on producer Selznick, who continually revised it with additional bits of business, and enough prologue opening titles and narration to launch three movies. Who knows — could this have been Alfred Hitchcock’s inspiration for the unexplained shafts of colored light that ghost over Kim Novak in Vertigo? The music changes as artist Eben Adams (Joseph Cotten, narrating) meets schoolgirl Jennie Appleton (Jennifer Jones, her first scene) who has odd ideas about Cape Cod and time, in Central Park, in Portrait of Jennie, 1949. That’s what I keep telling Jane Greer and Debra Paget in my dreams, but do think their timeless, eternal spirits take notice? Reviewed: October 7, 2017 The failure of Jennie was a daunting financial setback for Selznick. Portrait of Jennie ; Where to watch. Herrmann receives a strange non-credit credit for the haunting ghost song that Jennie sings in their first encounter, the chiller that begins with, “Where I come from no one knows.”. It’s difficult not to roll our eyes when Lillian Gish suggests that Jennie is rushing to a strange rendezvous on Cape Cod. All Rights Reserved. The battered, poorly duped remnant exhibits ugly mottled contrast and dirt. The KL Studio Classics Blu-ray of Portrait of Jennie is highly anticipated by its fans, as few have seen really good copies of the movie. Even with its howling storm and poetic vision of Death, the movie doesn’t really have a dark side. Glenn Erickson left a small town for UCLA film school, where his spooky student movie about a haunted window landed him a job on the CLOSE ENCOUNTERS effects crew. Posts about Portrait of Jennie written by borgeditor. Replacement composer Dimitri Tiomkin fell in with Selznick’s notion to adapt Debussy’s ‘sea nocturnes.’ The resulting score is indeed magical, but one would think that one of Hollywood’s many superb orchestrators could have done the job as well. The final Technicolor portrait also looks weak, soft and far too contrast-y. The Subtitle(s) for Portrait of Jennie (1948) may either be in single Srt format or multi file compress to Zip / Rar format. After a filming start in February of 1947, Selznick was unhappy with much of the material he was getting, and frustrated by bad weather. Portrait of Jennie (1948) cast and crew credits, including actors, actresses, directors, writers and more. Bunce. Selznick’s Duel in the Sun sexed-up Jennifer Jones’ image in an attempt to overcome her association with the religious-themed Song of Bernadette. The problem is all the opticals and dissolved scenes, which are already optical dupes of reduced quality. The menu also calls out a new audio commentary by the experienced Troy Howarth, whose work increases the desirability of many horror pictures. He finds something totally irrational in his life, and instead of denying it accepts and worships it for what it is. I didn’t know Debussy from Aunt Lucy, but the film’s wistful, ethereal soundtrack cast a romantic spell unlike anything I’d previously encountered. After a bizarre introduction which throws out quotes from a philosopher and a poet (the voice is uncredited, but sounded to me like William Forrest, a character actor who appears in Miracle on 34th Street), Joseph Cotten, who plays the artist, takes over the narration. All the problems are enlarged in Blu-ray: the image is inconsistent throughout. “. Always teetering on the edge of indulgent preciousness, Jennie generates emotional moments that touch on the ‘timeless, ageless’ beauty sought by David O. Selznick. The retired costumer provides Eben with Jennie’s background far too conveniently, and her performance is amateurish at best. Release Calendar DVD & Blu-ray Releases Top ... What to Watch Latest Trailers IMDb TV IMDb Originals IMDb Picks IMDb Podcasts. He micromanaged their movies worse than he did his own. Original Music: Dimitri Tiomkin, also adapting themes from Claude Debussy; Bernard Herrmann Even David Lean in Doctor Zhivago has to fall back on symbolism, with blasts of balalaika music and giant flowers & snowflakes to take the place of written poetry. Selznick attempted to give Portrait of Jennie the sheen of high art by having noted screenwriter and playwright Ben Hecht (Notorious, 1946) write the foreword scroll to Jennie. Blu-ray But when we come back to the sepia-toned epilogue the quality takes a precipitous nosedive. That Selznick’s pictures are treated this way is a mystery. After a filming start in February of 1947, Selznick was unhappy with much of the material he was getting, and frustrated by bad weather. By joining TV Guide, you agree to our Terms of Use and acknowledge the data practices in our Privacy Policy. The wounded producer ordered an extensive overhaul for his sickly movie, spending over $200,000 on new special effects. When word came that Kino Lorber had them, we wondered if they’d appear in good encodings. presence arrives, we think somebody changed the channel to a different station. One of the most haunting love stories ever to come from Hollywood, it improves on the poetic Robert Nathan novella it’s based on. Soon after, Eben sells a sketch of Jennie to kindly art dealer Miss Spinny (Ethel Barrymore) and, as he meets the oddly mutable Jennie in fleeting moments, begins to realize they share a special destiny. Stories just don’t get more ‘amour fou’ than this. Jennifer Jones successfully convinces us she’s growing from pigtails to womanhood. We get actor filmographies but no quotes from Selznick’s abundant memos. Written by Leonardo Bercovici, Peter Berneis, Paul Osborn, from the novella by Robert Nathan Matinee idol Joseph Cotten may already seem a bit old, yet this is one of his better films. Added to the gimmicky final reel were the green tinted storm, the sepia-toned aftermath and a finale that displayed the eponymous portrait in full Technicolor. The earliest movie I’ve seen Davis in is 1949’s East Side, West Side, where she has a very mature face. Jennifer Jones (Duel in the Sun) and Joseph Cotten (Since You Went Away) star in this tender and poetic tale that is enthralling from … Watch the Trailer. He rushes to the rocks below a storm-tossed Cape Cod lighthouse to keep a rendezvous with his ghostly lover. The soundtrack alone is so pleasant that the story’s petty absurdities just don’t matter. . The transfer element could very well be a print assembled from different sources. The visuals of William Dieterle and Joseph August carve a romantic paradise out of a wintry New York. I was happy to report in August that their Duel in the Sun Blu-ray is a pleasing upgrade. Bosley Crowther’s New York Times review dismissed the audio boost, and advised that patrons “take a mental recess and have some cotton ready to stuff in your ears.”. It doesn’t take much imagination or story analysis to theorize that the phantom Jennie is very likely a romantic projection of Barrymore’s Miss Spinney character. The capricious Jennie is always disappearing when Eben least expects it. Glenn is grateful for Trailers From Hell’s generous offer of a guest reviewing haven for CineSavant. Totally enchanting, Jennie engages Eben in a conversation that doesn't sit quite right with the time, then after singing him a haunting little tune she vanishes as quickly as she had appeared. With Jennifer Jones, Joseph Cotten, Ethel Barrymore, Lillian Gish. Spinney (read: Spinster) is clearly in love with Eben from the start. Watch Portrait of Jennie (1948) - Drama, Fantasy, Romance Movie: A mysterious girl inspires a struggling artist. Ben Hecht must have laughed all the way to the bank, to cash the check for his ponderous opening narration: “Since the beginning, Man has looked into the awesome reaches of infinity and asked the eternal questions: What is time? But I guess anything is possible. Or perhaps Selznick’s numbers were bogus, as 20 x 90 works out to an absurd 4.5:1 aspect ratio. Cinematography: Joseph H. August What's New to Stream on Every Service in May, The Best Shows and Movies on Netflix in May, The Best Shows and Movies on Amazon in May. Trailer Gallery (HD, 10 minutes) - In addition to the original preview for Portrait of Jennie, four other trailers for Selznick films starring Jennifer Jones and/or Joseph Cotten are included on the disc. You agree to our terms of Use and acknowledge the data practices in our Privacy Policy no quotes from ’! Impossible love is handled simply enough 22 Apr 1949 in English language a film to ”... 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