Following the recent government announcement, we’re thrilled to announce we will be going ahead this year. Live at Leeds is one of the best live albums made and while this release doesn’t have the overall set, it’s still worth it as it has the highlights and sounds great. Live At Leeds (Deluxe Edition) - The Whoのページをご覧の皆様へ HMV&BOOKS onlineは、本・CD・DVD・ブルーレイはもちろん、各種グッズやアクセサリーまで通販ができるオンライン … 14 songs. Consequently, they booked the show at Leeds University, along with one at Hull City Hall the following day, specifically to record a live album. "Summertime Blues" was rearranged to include power chords, a key change, and Entwistle singing the authority figure lines (e.g. The album closes with "Magic Bus", which included Daltrey playing harmonica and an extended ending to the song.[17]. Townshend stated that he did this deliberately to mark a part he had edited due to several mistakes. A 1995 reissue doubled the number of songs. [6][b], Two shows were consequently scheduled, one at the University of Leeds and the other in Hull, for the express purpose of recording and releasing a live album. Townshend later suggested the tapes were indeed burnt in his back garden, Christgau's Record Guide: Rock Albums of the Seventies, Learn how and when to remove this template message, "Leeds album showcases The Who's live improvisation", "500 Greatest Albums of All Time Rolling Stone's definitive list of the 500 greatest albums of all time", "Readers' Poll: The 10 Best Live Albums of All Time", The Who Live At Leeds 40th Anniversary Special Edition, "British album certifications – The Who – Live at Leeds", "American album certifications – The Who – Live at Leeds", Recording Industry Association of America, My Generation / The Who Sings My Generation, The Who & Special Guests: Live at the Royal Albert Hall, 2001 The Concert for New York City appearance, https://en.wikipedia.org/w/index.php?title=Live_at_Leeds&oldid=1008735794, Pages containing links to subscription-only content, Cite certification used for United Kingdom without ID, Short description is different from Wikidata, Album articles lacking alt text for covers, Articles needing additional references from April 2018, All articles needing additional references, Certification Table Entry usages for United Kingdom, Pages using certification Table Entry with shipments figures, Certification Table Entry usages for United States, Pages using certification Table Entry with shipments footnote, Wikipedia articles with MusicBrainz release group identifiers, Creative Commons Attribution-ShareAlike License, "Eyesight to the Blind a.k.a. This superb concert is … Headliners include … [3][4][5], By the end of the 1960s, particularly after releasing Tommy in May 1969, The Who had become cited by many as one of the best live rock acts in the world. Live at Leeds is the UK's premier new music festival. [6] The band were rehearsing and touring regularly, and Townshend had settled on using the Gibson SG Special as his main touring instrument; it allowed him to play faster than did other guitars. [35] In 2003, it was ranked number 170 on Rolling Stone's list of the 500 greatest albums of all time,[36] maintaining the rating in a 2012 revised list. [24] In a retrospective review for AllMusic, Bruce Eder felt that the album was seen as a model of excellence for live rock and roll during the 1970s; that it was The Who's best up to that point, and that there was "certainly no better record of how this band was a volcano of violence on-stage, teetering on the edge of chaos but never blowing apart. But the results – crackling … [38] A Rolling Stone readers' poll in 2012 ranked it the best live album of all time. [39], It was voted number 356 in Colin Larkin's All Time Top 1000 Albums.[40]. "[29], In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau asserted that, although side one is valuable for the live covers and "Substitute", the "uncool-at-any-length" "Magic Bus" and "My Generation" are not an improvement over their "raw" album versions. The Deluxe Edition includes more chat between the songs, and the entirety of the band's Tommy set as performed at Leeds. 『ライヴ・アット・リーズ』 (Live at Leeds) は、イギリスのロック・バンド、ザ・フーが1970年に発表したライブ・アルバム。1970年2月14日のリーズ大学におけるコンサートの模様を収録したものである。, オリジナル版の収録曲は6曲だが、1995年に発表された「25周年エディション」では15曲に収録曲が増えた。2001年にはコンサートのほぼ全般を収録した「デラックス・エディション」が、さらに2010年には、リリース40周年を記念し、リーズ公演の翌日のハル・シティ・ホール（通称ハル）でのコンサートの模様を追加収録した「コレクターズ・エディション」が発表された。, 本作はザ・フーにとって初のライブ盤であるが、それまでにもライブ盤を作る計画は何度か立てられており、1968年、3rdアルバム『セル・アウト』に伴うツアーで初のライブ録音が行われた。だが、日増しにセットリストが充実していくのにつれ、録音したものが古く色褪せたものになってしまったためにリリースは見送られた[1]。, 1969年、初のロック・オペラ・アルバム『トミー』がリリースされ、それに伴うツアーでもライブ録音が行われた。このツアーでは『トミー』のほぼ全曲をノンストップで再現するという試みがなされ、2時間以上にも及ぶ長尺のコンサートとなり、それだけに録音素材も豊富だったが、80時間という[2]膨大な録音テープの中から最良のものを吟味する作業に疲れ果てたピート・タウンゼントは、再びこの素材も放棄してしまう。なお、ここでの録音素材は、タウンゼントによれば海賊盤として流出するのを避け、全て破棄されたとの事だが、いくつかの音源は現存している[2]。, しかし今回ばかりは諦めずに、1970年2月、リーズ大学にパイ・レコードの移動式スタジオを持ち込んでライブ録音を行った。リーズ公演での録音に問題があった場合を考慮し、翌日のハル公演でも同様に録音が行われた[1]。, 2日間のコンサートは非常に盛況で、タウンゼントが後に「最高の観客」と語るほどだった。ロジャー・ダルトリーによれば「ハルの方がリーズよりもすごかった」とのことだが[3]、ハル公演の音源はベースの音が機材のトラブルにより使用できなくなったため、録音状態が良好だったリーズ公演の音源を編集し、1970年5月に『ライブ・アット・リーズ』と題してリリースした。アルバムはこれまでのスタジオ・アルバムでは表現しきれなかったザ・フーのヘヴィな一面がより前面に押し出されている。収録曲は6曲のみであったが、解散後の1984年に『フーズ・ラスト』がリリースされるまでは、ザ・フー唯一の公式ライブ・アルバムであった[1]。, 本作からは「サマータイム・ブルース」(エディ・コクランのカバー)がシングル・カットされ、全英38位を記録。B面の「ヘヴン・アンド・ヘル」（ジョン・エントウィッスル作）は、ライブ音源ではなくスタジオ録音バージョンである[4]。, アルバムのカバーは、無地で薄茶色の厚紙にブロック体で"The Who Live At Leeds"と青または赤のインクでスタンプされており、当時出回っていた海賊盤を模したデザインとなっている。スタンプの色は赤と青のどちらが初回版かは判然としていないが、リイシュー版では大体青色のものが採用されている。また、かなり希少だが黒色スタンプのものも存在し、これはミスプリントの可能性が高い[5]。, オリジナル版では、見開きのジャケットを開封すると両側にポケットがあり、片側にはレコードが、もう片側にはバンドの写真、領収書、ハイ・ナンバーズ時代の宣伝写真、「マイ・ジェネレーション」の歌詞のタイプ打ち、タウンゼントがリッケンバッカーを抱えウインドミル奏法を披露している"Maximum R&B"のポスターなど、様々なガジェットが納められている。, レコード・ラベルは全て手書きになっているが、そこには"Crackling noises OK. Do not correct! We're Not Gonna Take It (Live At Leeds Deluxe Edition Version) アーティスト The Who Live at Leeds is held at over 20 venues across Leeds City Centre. Live at Leeds Live May 3, 1970 95 1 0 Who's Next Album Aug 25, 1971 92.3 18 2 Quadrophenia Album 1973 82.5 6 1 Odds & Sods Album Sep 28, 1974-0 0 The Who by Numbers Album … Suddenly everyone in the world wanted to see Maximum R&B for … The Who’s live set of the time was a fascinating mixture of their … "[15], The album opens with "Young Man Blues", an R&B tune that was a standard part of the Who's stage repertoire at the time. In November 2014, the complete concert was released in set list order on iTunes and HDtracks, with restoration of much in-between song patter. All songs written by Pete Townshend, except where noted. During the concert, "Summertime Blues", "Shakin' All Over", "My Generation", and "Magic Bus" were played after the Tommy set. [6] Townshend subsequently mixed the live tapes, intending to release a double album, but ultimately chose to release just a single LP with six tracks. In September 2001, a Universal Deluxe Edition version was released. [7] He began using Hiwatt amplifiers that allowed him to get a variety of tones simply by adjusting the guitar's volume level. Live at Leeds has long been considered to be one of the best live albums. The original Live at Leeds, released May 23rd, 1970, featured just six of the 33 songs played at the show, and not a single one of them was from Tommy. 2. to give a tight, kickass performance Probably the sickest live album ever recorded. "Born Blind"". Since its release, Live at Leeds has been cited by several music critics as the best live rock recording of all time. [11] The group returned to England at the end of 1969 with a desire to release a live album from concerts recorded earlier in the US. Universal Music released a 40th Anniversary edition of the album in November 2010, containing the full Leeds show from 14 February 1970 and the band's complete performance from the University of Hull recorded the following evening, as well as a heavyweight vinyl reproduction of the original six-track album, memorabilia and a replica 7-inch single of "Summertime Blues/Heaven and Hell". For other uses, see, 2014 deluxe edition digital release on iTunes, Moon normally sang a few backing vocals during this period of the Who's career, particularly on ". In November 2016, Universal Music released the complete concert as a three-disc album on the Polydor label, half-speed mastered at Abbey Road Studios, with a six-panel gatefold sleeve with assorted pictures and liner notes by Chris Charlesworth. To fix this problem his performance at the Leeds show was overdubbed over these tracks of the Hull performance using digital technology. To celebrate the 40th anniversary of one of the rock era’s greatest live albums, Live At Leeds has been given the Super Deluxe treatment by including the entire concert from Leeds University … "[26] Steven Hyden, writing for PopMatters, said that it is "not only the best live rock 'n' roll album ever, but the best rock album period. Live At Leeds has always been the definitive live album, this reissue only improves on this. [1] The festival began in 2007 to mark the city of Leeds's 800th birthday and was jointly hosted by Leeds … Live at Leeds 2021 - it's on! The festival hosts the best new and breakthrough artists and bands across 20 live music venues in the city. "[22] In a review of its 1995 CD reissue, Tom Sinclair of Entertainment Weekly asserted that it shows why The Who were important: "Few bands ever moved a mountain of sound around with this much dexterity and power. ^ Shipments figures based on certification alone. It resembled that of a bootleg LP of the era, parodying the Rolling Stones' Live'r Than You'll Ever Be. He felt that Live at Leeds functions simply as a document of "the formal commercial end of the first great stage of [The Who's] great career. Live-event Live as lorry diesel spillage causes traffic gridlock on M1 near Wakefield Leeds News Two lanes are shut while a clean up takes place Leeds schoolboy, 7, grieving for his 'beautiful mummy' has … Includes extra snippets of dialogue between songs; some songs (for example, "A Quick One, While He's Away") are longer than in previous releases, while others ("Young Man Blues", "Shakin' All Over", "My Generation", and "Magic Bus") remain in edited versions. The Leeds concert was booked and arranged by Simon Brogan, who later became an assistant manager on tour with Jethro Tull. According to biographer Chris Charlesworth, "a sixth sense seemed to take over", leading them to "a kind of rock nirvana that most bands can only dream about". The first 500 copies included a copy of the contract for The Who to play at the Woodstock Festival. However, Townshend balked at the prospect of listening to all the accumulated recordings to decide which would make the best album, and, according to Charlesworth, instructed sound engineer Bob Pridden to burn the tapes. [16], Side two begins with a 15-minute rendition of "My Generation", which was greatly extended to include a medley of other songs and various improvisations. Live at Leeds is the first live album by English rock band The Who. LIVE AT LEEDS ESSENTIALS WHAT IS LIVE AT LEEDS? Six songs were taken from the Leeds show, and the cover was pressed to look like a bootleg recording. [1] There is an 8-second segment near the beginning of "Magic Bus" (leading into the lyric I don't care how much I pay) where the music is played backwards. For the remix, new vocal overdubs from Daltrey, Townshend and Entwistle were recorded to address occasional flaws in the original tapes or performances. [1] The full show opened with Entwistle's "Heaven And Hell" and included most of Tommy, but these were left off the album in place of earlier hits and more obscure material. Live at Leeds (Deluxe Edition) was released on 6 September 2010. The additional songs were inserted before and in the middle of the original track list, but left "My Generation" and "Magic Bus" as the final two tracks. "Shakin' All Over" was arranged similar to the original, but the chorus line was slowed down for effect, and there was a jam session in the middle. The rock group played at the packed University of Leeds refectory on 14 February 1970 and recorded the gig. The sound was significantly different from Tommy and featured hard rock arrangements that were typical of the band's live shows. Full information about the venues for 2021 will be displayed here soon! This is an early '70s pressing (first … Live at Leedsがハードロックストアでいつでもお買い得。当日お急ぎ便対象商品は、当日お届け可能です。アマゾン配送商品は、通常配送無料（一部除く）。 The backwards portion was retained on Greatest Hits Live. This means we can celebrate our 15th Anniversary the way we always wanted, nipping in and out venues around Leeds… The magic in Pete's "Live at Leeds" rig is 10% SG and 90% massive walls of Hiwatt power. Remastered and expanded, more tracks than the original release AND a second disc with Tommy performed live make this a must … This article is about the live album by The Who. : "Like to help you son, but you're too young to vote") in a deep-bass voice. It has been reissued on several occasions and in several different formats. Reactions: HoboMan, … Entry to Live At Leeds 'In The City' 2021 Queue jump to venues (subject to venues capacity) Free entry to Live at Leeds After Party (over 18's) Exclusive LAL 2021 Tote Bag EARLY BIRD £33.00 (£30.00) ( * … One, it was limited to a single record because in 1970 there was the LP. ‘Live At Leeds’ was no exception, recorded on a mobile unit placed amid the kitchen of a university refectory in an unassuming industrial town in northern England. Imagine standing in the front row at that show. This is probably a reference to the clicking and popping on the pre-remastered version (such as in "Shakin' All Over"). In 2010 Island Records released Live At Leeds (Deluxe Edition) the first time that the Leeds … Great second concert, vynal, single and especiall the packaging and book -absolutly great. Put this bad boy on and play it … It was extended to include an instrumental jam with stop-start sections. Two, recordings were on tape and no … The CD reissue of Live At Leeds (One World Records, 1998) includes 5 bonus tracks with Paul Kossoff playing guitar – My Baby Girl, You Can Discover, So Much In Love With You, Clutches and Mailman. "Substitute", a 1966 single for the band, was played similarly to the studio version. Modern digital remastering techniques allowed this to be removed, and also allowed some of the worst-affected tracks from the gig to be used; on CD releases, the label reads, "Crackling noises have been corrected! [18] It contains plain brown cardboard with "The Who Live at Leeds" printed on it in plain blue or red block letters as if stamped on with ink (on the original first English pressing of 300, this stamp is black). The 1995 and 2001 CD mixes edit this section differently and do not have the backward portion. "[21], In a contemporary review for The New York Times, music critic Nik Cohn praised Live at Leeds as "the definitive hard-rock holocaust" and "the best live rock album ever made". Mind-blowing (possibly literally). コンビニ受け取り送料無料！ Pontaポイント使えます！ Live At Leeds : The Who バージョン一覧 - このページは､同タイトルにおける様々な仕様をまとめて表示しております。新品・中古品・国内盤・ … [41] This performance had previously been unavailable because of a problem with the recording of John Entwistle's bass guitar on the first six songs. [13] The shows were performed on 14 February 1970 at Leeds and on 15 February at Hull, but technical problems with the recordings from the Hull gig — the bass guitar had not been recorded on some of the songs — made it all the more necessary for the show from the 14th to be released as the album. For the first time ever the entire concert was released as it was originally recorded on the night. Again, new overdubs from the vocalists were employed at select points. The record it spawned, Live at Leeds, is often cited as one of the best live rock … The Who were looking for a way to follow up their 1969 album Tommy, and had recorded several shows on tours supporting that album, but didn't like the sound. "[25] Mojo magazine wrote that "the future for rock as it became, in all its pomp and circumstance, began right here. Live At Leeds By Greil Marcus Greil Marcus Reporter Greil Marcus's Most Recent Stories Real Life Rock Top 10: Colson Whitehead, Pere Ubu, Beyonce Real Life Rock Top 10: Robert Johnson, … Performed in 1971, The Who released the copy of the … The cover was designed by Graphreaks with the rubber stamp logo created by Beadrall Sutcliffe. View credits, reviews, tracks and shop for the 1970 Vinyl release of "Live At Leeds" on Discogs. First release of concert recording in set list order. The best live album ever made. ザ・フーの金字塔『Live At Leeds』を明らかにする 「 ザ・フー は世界中で最も刺激的に視覚に訴えるアクトだ」と1970年5月のNME誌のレヴューの書き出しで、リチャード・グリーンは彼 … Live at Leeds is the first live album by English rock band The Who. UK pressing with red printed stamp on sleeve, blue writing on labels. Recorded on Valentines Day, 14 February 14 1970 at Leeds University, Live at Leeds was released in the UK in May 1970 on Track Records (2406 001), as a CD in the 1980s by Polydor (825 … [37] A commemorative blue plaque has been placed at the campus venue at which it was recorded, the University of Leeds Refectory. Live at Leeds - recorded in 1970 - suffered from a few limitations at the time of release. On 17 June 2006, over 36 years after the original concert, The Who returned to perform at the Refectory, at a gig organised by Andy Kershaw. Live At Leeds by The Who, recorded on February 14, 1970, rapidly became one of the definitive live albums in rock history. The original LP was released on 23 May 1970 in stereophonic format. As Mick Farren wrote in Classic Rock issue 152, Live At Leeds “reveals a band at the peak of honed chops and fluid energy. It was recorded at the University of Leeds Refectory on 14 February 1970, and is their only live album that was released while the group were still actively recording and performing with their best-known line-up of Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon. The album was released in May 1970 by Decca and MCA in the United States by Track and Polydor in the United Kingdom. I'd recomend this to anyone. [3] Jonathan Eisen of Circus magazine felt that it flows better than Tommy and that not since that album has there been one "quite so incredibly heavy, so inspired with the kind of kinetic energy that The Who have managed to harness here. [14] According to David Hepworth, because there was no microphone pointed towards the audience, crowd noise was a "distant presence, as distant as the traffic outside," making the recording "a faithful account of what the band played and nothing more. The original LIVE AT LEEDS album, released in 1970, looked straight into the eye of this hurricane on a single disc featuring six tracks. "[5] Roy Carr of Classic Rock, reviewing the 2010 Super Deluxe Edition of the album, remarked how the new Live at Hull section "is noticeably more tight, more focused and even more aggressive" than the original recording, concluding that "we now have the two greatest live rock albums...ever. Live at Leeds is a music festival that takes place across various venues in Leeds, England, on the weekend of the May Day bank holiday. The original cover opened out, gatefold-style, and had a pocket on either side of the interior, with the record in a paper sleeve on one side and 12 facsimiles of various memorabilia on the other, including a photo of the band from the My Generation photoshoot in March 1965,[19] handwritten lyrics to the "Listening to You" chorus from Tommy, the typewritten lyrics to "My Generation", with hand written notes, a receipt for smoke bombs, a rejection letter from EMI,[20] and the early black "Maximum R&B" poster showing Pete Townshend wind-milling his Rickenbacker. NEW! The label was handwritten and included instructions to the engineers not to attempt to remove any crackling noise. "[28] Greil Marcus, writing in Rolling Stone, was less enthusiastic and said that, while Townshend's packaging for the album is "a tour-de-force of the rock and roll imagination", the music is dated and uneventful. When you visit any website, it may store or retrieve information on your browser, mostly in the form of … This page was last edited on 24 February 2021, at 20:09. The news of Live At Leeds’ return in 2021 comes after Reading & Leeds announced its dual festival will go ahead as planned across the August Bank Holiday weekend (27-29). 1. Kershaw stated the gig was "among the most magnificent I have ever seen". The album was reissued on CD in 1985 by MCA in the US, and in 1987 by Polydor in Germany. 1970 live album by The Who. [30], Live at Leeds has been cited as the best live rock recording of all time by The Daily Telegraph,[31] The Independent,[32] the BBC,[33] Q magazine,[34] and Rolling Stone. It was recorded at the University of Leeds Refectory on 14 February 1970, and is their only live album that was released while the group were still actively recording and performing with their best-known line-up of Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon. In February 1995, the album was reissued as a remixed CD which included more songs than the original vinyl edition, as well as song introductions and other banter that had been edited out of the original release. Find album reviews, stream songs, credits and award information for Live at Leeds - The Who on AllMusic - 1970 - Rushed out in 1970 as a way to bide time as the… Rushed out in 1970 as a way to bide time as the Who toiled away on their follow-up to Tommy, Live at Leeds … First release of complete concert recording. [8][a], The group were concerned that Tommy had been promoted as "high art" by manager Kit Lambert and thought their stage show stood in equal importance to that album's rock-opera format. "（パチパチというノイズは大丈夫。訂正しないように!）というメッセージも添えられている。このメッセージは1995年のリマスター版以降のものにはない。, 本作は全英3位、全米4位につける大ヒットとなった[6]。ニューヨーク・タイムズ誌は「史上最高のロック・ライブ・アルバム」と評した[7]。評価が高まるにつれ録音が行われたリーズ大学は聖地と目されるようになり、現在では銘板（ブルー・プラーク）が掲示されている。, 『ローリング・ストーン』誌が選んだ「オールタイム・ベスト・アルバム500」と「オールタイム・ベスト・ライヴ・アルバム50」に於いて、それぞれ170位[8]と4位[9]にランクインしている。, 1995年、ザ・フーの全カタログのリマスター・プロジェクトの先陣を切る形で、オリジナル版に8曲を追加した拡大版「25周年エディション」がリリースされた。タウンゼントの義弟にあたるジョン・アストリーがリミックスを担当。この拡大版の製作にあたり、マスターテープの不良で修復不可能な箇所に関しては、新たにボーカルの撮り直しをしたという[1]。以後、リイシュー版はこの25周年エディションのリミックス・バージョンが底本になる。, 2001年にはさらに曲が追加され、全33曲のほぼ完全版といえる「デラックス・エディション」がCD2枚組でリリースされた。この版では『トミー』のパートの全てが収録されている。『トミー』のパートはディスク2の方にまとめられており、曲順が実際のセットリストとは異なっている(実際の曲順は、『トミー』のパートは「クイック・ワン」と「サマータイム・ブルース」の間に入る)。おそらく『トミー』を途切れることなく収録するためにこのような形になったと思われるが、これについてはファンの間で賛否両論あった[10]。また、当時演奏されていた「スプーンフル(Spoonful)」（ウィリー・ディクスンのカバー）が権利上の問題により収録できなかったため、本当の意味での完全版とはならなかった[1]。, 発売40周年を記念して発表された「コレクターズ・エディション」では、前述の「デラックス・エディション」に加え、長年封印されてきたハル公演の音源を収録した。失われたベースの音源は、リーズ公演のものをミックスさせる事で修復した[3]。CD4枚組に加えオリジナルLP盤、そして7インチシングル「サマータイム・ブルース/ヘヴン・アンド・ヘル」をパッケージした豪華ボックスセットでリリースされている。2012年には、ハル公演のみを抜き出したCD2枚組形態でもリリースされた。, 2014年には、iTunesおよびHDTracksで音楽配信された。これまでのリイシュー版とは違い新たなミックスが施され、曲順が実際のセットリスト通りに並べ替えられている。[11][12]2016年11月、アナログ・ヴィニールLP3枚組でフィジカル・リリース。, マイ・ジェネレーション - ア・クイック・ワン - ザ・フー・セル・アウト - ロック・オペラ “トミー” - フーズ・ネクスト - 四重人格 - オッズ&ソッズ - ザ・フー・バイ・ナンバーズ - フー・アー・ユー - キッズ・アー・オールライト - フェイス・ダンシズ - イッツ・ハード - エンドレス・ワイヤー - WHO, ライヴ・アット・リーズ - フーズ・ラスト - ジョイン・トゥゲザー - ワイト島ライヴ1970 - ライヴ・アット・フィルモア・イースト1968, マジック・バス〜ザ・フー・オン・ツアー - ミーティ・ビーティ・ビッグ・アンド・バウンシィ, アイ・キャント・エクスプレイン - エニウェイ・エニハウ・エニホエア - マイ・ジェネレーション - 恋のピンチ・ヒッター - アイム・ア・ボーイ - ハッピー・ジャック - クイック・ワン - リリーのおもかげ - 恋のマジック・アイ - マジック・バス - ピンボールの魔術師 - シー・ミー・フィール・ミー - ババ・オライリィ - 無法の世界 - ジョイン・トゥゲザー - 愛の支配 - フー・アー・ユー, キット・ランバート - クリス・スタンプ - ビル・カービシュリー - シェル・タルミー - グリン・ジョンズ - ロバート・スティグウッド, トミー - キッズ・アー・オールライト - ザ・フー：ライヴ・アット・キルバーン - ザ・フー：アメイジング・ジャーニー, レコード・コレクターズ増刊「ザ・フー アルティミット・ガイド」（2004年）72-73頁。, レコード・コレクターズ増刊「ザ・フー アルティミット・ガイド」（2004年）126頁。, レコード・コレクターズ増刊「ザ・フー アルティミット・ガイド」（2004年）8頁。, CD「ライブ・アット・リーズ・デラックス・エディション」(2001年)付属のクリス・チャールズワースによるライナー・ノーツより。, レコード・コレクターズ増刊「ザ・フー アルティミット・ガイド」（2004年）109頁。, 500 Greatest Albums of All Time: The Who, 'Live at Leeds' | Rolling Stone, 50 Greatest Live Albums of All Time: The Who, 'Live at Leeds' | Rolling Stone, https://ja.wikipedia.org/w/index.php?title=ライヴ・アット・リーズ&oldid=82078883. "[4], Who biographer Dave Marsh has praised the album as "so molten with energy at times it resembles the heavy metal of Deep Purple and the atomic blues of Led Zeppelin ..... absolutely non-stop hard rock". Order THE WHO Tour 2020 Tickets and books ON SALE NOW! The Deluxe Edition puts the Tommy set onto the second disc, moving "My Generation" and "Magic Bus" out of order to the end of the first disc. These include a brief extract of "See Me, Feel Me" and the ending of "Sparks" from Tommy, and part of "Naked Eye" that was recorded for the follow-up album Lifehouse (which was ultimately abandoned in favour of Who's Next). 『ライヴ・アット・リーズ』 (Live at Leeds) は、イギリスのロック・バンド、ザ・フーが1970年に発表したライブ・アルバム。1970年2月14日のリーズ大学におけるコンサートの模様を収録したものである。 Voted number 356 in Colin live at leeds 's all time Top 1000 albums [! Leeds is the first live album by English rock band the Who recording of all time Top 1000.. At the Leeds show, and the entirety of the band, was played to... 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